Sally Seltmann and Leslie Feist

One Two Three Four
Tell me that you love me more
Sleepless long nights
That is what my youth was for

Old teenage hopes are alive at your door
Left you with nothing but they want some more

Oh, you're changing your heart
Oh, You know who you are

Sweetheart bitterheart now I can tell you apart
Cosy and cold, put the horse before the cart

Those teenage hopes who have tears in their eyes
Too scared to own up to one little lie

Oh, you're changing your heart
Oh, you know who you are

One, two, three, four, five, six, nine, or ten
Money can't buy you back the love that you had then
One, two, three, four, five, six, nine, or ten
Money can't buy you back the love that you had then

Oh, you're changing your heart
Oh, you know who you are
Oh, you're changing your heart
Oh, you know who you are
Oh, who you are

For the teenage boys
They're breaking your heart
For the teenage boys
They're breaking your heart

Einstein Sells Letter About God

Einstein Letter Sells for $404,000

LONDON (May 16) - A letter in which Albert Einstein dismissed the idea of God as the product of human weakness and the Bible as "pretty childish" has sold at auction for more than $400,000.

The letter was written to philosopher Eric Gutkind in January 1954, a year before Einstein's death. In it, the Einstein said that "the word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honorable but still primitive legends which are nevertheless pretty childish."

Einstein experts say the letter supports the argument that the physicist held complex, agnostic views on religion. He rejected organized faith but often spoke of a spiritual force at work in the universe.

Einstein Letter Sells for $404,000 - AOL News

Artist Robert Rauschenberg Dead at 82

"Building on the legacies of Marcel Duchamp, Kurt Schwitters, Joseph Cornell and others, he helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art — not to mention between art and life.

Mr. Rauschenberg was also instrumental in pushing American art onward from Abstract Expressionism, the dominant movement when he emerged, during the early 1950s. He became a transformative link between artists like Jackson Pollock and Willem de Kooning and those who came next, artists identified with Pop, Conceptualism, Happenings, Process Art and other new kinds of art in which he played a signal role."